Young-ji
30 Apr, 2026~
10 May, 2026
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Venue
Etc. (모두예술극장)
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Genre
Theater
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Show Time
Weekdays 7:30pmㅣWeekends & Holidays 3pmㅣNo performance on Monday
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Tickets
40,000KRW
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Enquiry
1600-6261
Language Korean
Age Restriction Suitable for ages 9 and over
“There is a big door hidden in the wall with the butterflies. But no one here knows about it.”

In 2026, the door the butterflies have been hiding opens once again.
The head of a bird, the body of a human, the legs of a frog. Wings, a tail, and even gills.
An eleven-year-old with endless possibility. That’s me, Young-ji, and I’m back!
This season, Young-ji throws open a brand-new world and invites the audience in.
A world where sign language is used for communication. In this place, where words and bodies, expressions and senses, all tumble together, Young-ji meets her friends again. Are you curious what lies beyond the open door? Everyone, come back to life!

At age eleven, everything shifts from one day to the next, never quite the same and always a little strange. Since its premiere in 2019, the youth theater production Young-ji has returned each year with a slightly different Young-ji and a slightly different Byeongmokan, inviting audiences into a new world every time.
The 2026 production enters one of its many “Young-ji universes,” where sign language serves as the primary language. Park Ji-young in the title role is joined by some of the most accomplished Deaf actors working on stage today, together conjuring the distinct world of Byeongmokan in 2026. The voice of a traditional singer is woven in alongside them, creating an interplay between sign language and spoken word. The result is a production that opens up the senses—eyes, ears, and the whole body—in ways you have never experienced before.
Director Kim Mi-ran, a Baeksang Arts Award winner, draws on her sustained work in sign language theater to bring vividly to life stories that extend beyond spoken language. Playwright Heo Seon-hye, who has long explored the inner lives of young people, builds Young-ji’s extraordinary world once more. With the original creative team back together, the 2026 production of Young-ji opens the door to Byeongmokan for all children and adults looking to find what it means to be themselves. All you have to do is step through.
“That’s how you get to a new world.”

Synopsis
Ranked number one for its cleanliness and beauty, Byeongmokan is a place of perfection.
Then one day, a strange kid named Young-ji shows up.
In a place governed by strict rules and standards, she sees and expresses the world in her own way.
In an art class meant for landscape painting, she fills her canvas with cabbages.
While the other kids play the same games together, she drifts off into strange, vivid worlds of her own imaginative play.
One night, a demon teacher appears and demands that she create a story, and when she does, the children of Byeongmokan begin to change.
Hyo-jeong, the town’s mascot, and So-hee, its model student, become fascinated by Young-ji’s unusual games and stories.
Soon, the cracks running beneath Byeongmokan’s perfect surface begin to show.
Written by Heo Seon-hye
She finds her playground in the space between the real and the unreal, rewriting the worlds of fiction. She believes that dreams and imagination are integral parts of reality, and is thrilled by the feeling of being closely connected to something previously unknown.
Major Works
Young-ji, Bread and Tent, The Hamster Murder Case
Directed by Kim Mi-ran
Director Kim Mi-ran is known for balancing formal experimentation and contemporary social themes on stage. She has also made significant contributions to the field of disability arts, and is a member of the theater collective So9.
Award
2022 Baeksang Arts Award for Young Theatre
Major Works
WTF (2025), Macbeth (sign language production at the National Theater of Korea) (2024), This May Be a Failure Story






